Sheridan Smith Takes On Her Most Challenging Role Yet in “Opening Night” Musical

Renowned British actress Sheridan Smith steps into the spotlight once again, tackling a demanding role in the musical “Opening Night.” Portraying Myrtle, a star grappling with mental health issues amidst the pressures of performing, Smith draws from her own experiences to bring depth and authenticity to the character. Reflecting on her struggles and the temporary setback during “Funny Girl,” Smith reveals a newfound confidence, emerging stronger after overcoming obstacles. Directed by Olivier Award winner Ivo van Hove and featuring music by acclaimed singer-songwriter Rufus Wainwright, “Opening Night” promises a compelling exploration of fame, vulnerability, and resilience on the Broadway stage.

In “Opening Night,” Sheridan Smith shares how her character, Myrtle, is barely holding on, leaving the audience uncertain if she’ll even make her premiere. Drawing from her struggles, Smith connects with Myrtle’s challenges, having faced her well-publicized mental health crisis in the past. Reflecting on her decision to step back from “Funny Girl” due to stress and personal difficulties, Smith acknowledges the impact it had on her confidence. However, with the support of friends, she found her strength again. This role also marks a personal milestone for Smith, as it’s the first time she can proudly display her tattoos, typically hidden under layers of makeup. “Opening Night” captures poignant moments both inside and outside the theater, portraying Myrtle’s collapse outside the stage door, a scene projected for all to witness.

News of the scene has spread, and Sheridan notes that crowds have been gathering outside the West End theater to watch. “I welcome the involvement,” she chuckles, “it adds to the authenticity and liveliness of the performance, something rarely seen in theater.

Embraced in Grief: Sheridan Smith Finds Support from the Public

Sheridan Smith Grateful for Public Support During Tough Times

Despite facing what she describes as “well-publicized” challenges, Sheridan Smith expresses immense gratitude for the unwavering support she received from the public, particularly following her father’s passing in 2016. Speaking with the BBC, Smith reflects on how the public stood by her, regardless of the media coverage. “They understood the complexities of grief,” she shares, recalling touching moments of strangers offering comfort on the streets. Smith also acknowledges the ongoing support from her hometown near Doncaster, where residents often travel to London to attend her shows. She fondly remembers a special occasion when her entire village turned out to watch her in “Legally Blonde,” all donning pink cowboy hats, a heartwarming display of community support.

Sheridan Smith, who proudly identifies as working class, has observed ongoing discussions about the dominance of the upper classes and private school alumni in the arts. Having started her career in London at 16, she considers herself fortunate to have consistently found work. Smith expresses hope that access to drama schools is improving for working-class children.

In 2020, Smith became a mother, and she emphasized that her son is her motivation. While he has visited her at the theater and even ventured into her dressing room, Smith jokes that “Opening Night” might not be suitable for a three-year-old. However, he did join her on stage during the curtain call for “Shirley Valentine” in 2023, delighting in waving to the audience.

Despite her success, Smith isn’t entirely convinced about her son following in her footsteps. Reflecting on his enthusiasm during his stage appearance, she jests, “Oh no! There’s something in him, he is loving it all!” As “Debut night” continues with its run at the Gielgud Theater in London until July 27th, Smith stays focused on her specialty while investigating the joys and hardships of being a parent.

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